Created with Photoshop. I was marked down by the Instructor for not having a more finished end product and also a lack of adequate shading used on the characters. I admit that I do not find my final project to be 100% complete, as it is still a little bit rough around the edges. I learned a great deal from this illustration class, the most important being the illustrator process. Of 12 thumbnail sketches I developed 3 of my best. Of those 3 I chose this one for the final project, thought I made adjustments. I did not create a grey scale version before colorizing because of lack of time but I think this is one of the most important steps for good shading and contrast.
Maintaining color integrity from monitor to printed product is essential. As a photographer in the navy I had to make sure that the computer screens were correctly calibrated to the printed product. This was done periodically to maintain color integrity. Monitors have their own color calibration but this does not always completely solve the color accuracy problem. There were many stressful moments when the photo batches from the thermal printers were sent back by the supervisor due to incorrect hues. A simple calibration would had solved this.
This is where calibration devices come in handy. These are multipurpose auxiliaries that will calibrate the monitor color while taking into account the surrounding light sources. These devices come with their own software to make calibrating the monitor to the printed product more succinct.
Some calibration devices are the X-Rite, ColorVision and Datacolor Spyder.
A very helpful visual guide from designmantic.com
Controlling contrast is a good method for establishing Hierarchy and dominance in a layout. When looking at the color spectrum on a black background, the eyes are drawn first to the colors with the highest luminosity, yellow and cyan. You might notice the dark blue later because it contrasts less with the black background.
If you then compare the same color spectrum surrounded by white, the lighter colors such as cyan and yellow do not stand out as much because they contrast less from the white background.
By understanding contrast, you can have a greater control over the impact that the layout elements such as color, font and imagery, have on your design.
You can use this tool http://webaim.org/resources/contrastchecker/ to check the contrast of your chosen foreground and background colors. It will tell you if your chosen colors pass or fail.
Da Vinci’s color theory.
The study of color has been recorded at least since the time of Aristotle. Historical references such these give a sense of how we came to our current understanding of color. Here is a list and description of early color theorists.
Aristotle (384-322 B.C.E.) Most people remember Aristotle as the Greek philosopher and writer. Beyond this, he was an expert on various subjects including color theory. Aristotle was responsible for writing the first known book on color theory titled “DeColoribus”. His theory concluded that colors were derived from different mixtures of sunlight, fire, air, and water. To obtain black, one or more of these elements must be absent. Considering his theories, they are closely associated with the elements of earth:
Leonardo Da Vinci (1452 – 1519 C.E.) Da Vinci expanded on Aristotle’s theories and came up with an alternative hierarchy of color. In his work “Treatise on Painting”, he defined six basic hues of color associated with the elements. While Da Vinci maintained some relationships of Aristotle’s, such as blue-green for water, blue for air, and red for fire, he explored black and white as well; white was related to light in its purest form and black was related to the stark darkness of night.
Sir Isaac Newton (1642-1727 C.E.) Newton was the first documented “color theorist”. He brought a scientific method of investigation to the study of color. He sought to find a completely scientific explanation for the occurrence of color. Working with light prisms, he determined 7 color complements and created the color wheel. He wrote his book on color called “Opticks” and this was first published in 1692.
Jacques Christophe LeBlon (1667-1741 C.E.) LeBlon was a painter and engraver from Germany and he invent and adopt the four-color printing model RYBK which is still in use today. His original model RYBK, utilized Red, Yellow, Blue, and Black. LeBlon’s manuscript, Coloritto, describes his studies in color modes, primary versus secondary, and other color relationships.
Moses Harris (1730-1788 C.E.) Moses Harris was a scientist by trade as well as an engraving artist. His professional work in nature led to curiosity regarding how colors naturally exist in the world as well as how natural pigments influence the creation of pigments for paints. Harris studied Isaac Newton’s color theories and discovered that the combination of the three primary colors yields a dark hue, often referred to as black. His studies on color showed that combined pigments could create a dark hue rather than relying completely on naturally occurring dark pigments, which was the common standard previous to his discovery. Moses published his book The Natural System of Colours in 1766.
Johann Wolfgang von Goethe (1749-1832 C.E.) Von Goethe is considered a pioneer in modern color theory. He had many talents including writing, poetry, art, and politics and would eventually turned his attention to color theory. He published Theory of Colours in the early 1800’s. He observed that the color we “see” is not just due to light passing through a prism or atmosphere but largely due to the interplay of light and dark such as along the edge of a crystal or prism. His declarations on color and perception opposed Sir Isaac Newton’s own views. Rather then focus on the science of color, Goethe focused on individual perception such as psychology and physiology of color. His perception based study of color is considered to be the first of its kind. His studies created the idea of complements/opposites in color theory.
Color has a profound effect on the human experience and psyche. Every person has their own personal associations with color and each culture, family, society, and religion have their own unique ways of perceiving and reacting to individual colors. Use of color has psychological effects and is associated with medicine as well. Today I will take a look at how American culture views each of the seven main colors of red, orange, yellow, green, blue, purple, black and white.
Red is one of the most powerful colors of the spectrum. The color red is associated with all types of emotions, both high and low. For example, red is coupled with love and passion as well as violence and fire. Red is known to have a stimulating effect on energy levels in humans. It is an incredibly visible color and is often used for cautionary purposes, such as red stop signs or red fire hydrants. Both the human eye and human brain strongly perceive and react to red.
Another warm, infusing color is yellow. While most people associate yellow with being a bright and cheery hue, it also has the potential to appear cautious. Street signs, caution tape, and other warnings are often in yellow to attract our attention before we could get hurt. In nature, many toxic plants and animals, such as snakes and frogs, have yellow accents to ward off potential predators.
Orange is produced by mixing the primary colors of red and yellow, and is thus a secondary color. The joys of yellow and the striking visibility of red combine to produce the energetic color orange. Orange is stimulating and warm. Orange is a good color to use to draw attention to something without appearing as harsh as red or as bright as yellow.
Green is a secondary color as it is created by combining two primary colors, blue and yellow. Green is a prevalent hue, as it is one of the most dominant colors found in nature. Almost every climate across the globe has naturally green flora and fauna. Because it is so widely recognized as a naturally occurring element, the color green is associated with growth and wealth.
Another color dominant in nature is blue. Blue represents both water and sky and is associated with stability and tranquility. The calming effects of blue are so well known that many logos of Corporate America utilize this hue. Corporations use the color to appear more calm and trustworthy to clients and potential customers.
Purple, like orange and green, is a combination of two primary colors and is therefore a secondary color. Because it is usually created with a 50/50 ratio, purple also bears the characteristics of both colors of which it is made. It maintains an energetic, powerful feel from its red component; likewise, the stability and depth of blue influences how purple is perceived.
Purple is different from other colors in the fact that it is not common in Nature. Granted, some flowers and plants have purple tints, but they are few in number. Because it is a rare pigment to find naturally, purple used to be a rather expensive color to obtain; it was often reserved for noble, royal individuals who could afford such an expense. To this day, purple is associated with kings and queens as well as magic and mystery.
The color white is typically associated with luminous, pure items. Angels are historically depicted in white, as are many other Heavenly bodies and settings. Based on its purity, white is also associated with cleanliness. Pure white soap is considered the Gold Standard in cleanliness; all absence of every other color is the highest level of clean one could obtain.
Considered to be mysterious, black is a very complex color. It can convey sorrow and angst, as seen in the trend of black for funerals and death. Black also may appear luxurious and trendy, such as a black stretch limo or a black tie affair. As is the case with most colors, black needs to be considered on an individual basis based on its surroundings and connotation.
And there you have some examples of how color affects the psyche.
Understanding how the human eye perceives light is an important concept in Design. Color is not perceptible without light and how we perceive color is influenced by physics and lighting atmosphere. Different sources of light will create different color results. Take a tree for example. In a simplified view, a tree is made up of green leaves and brown bark, but looked at in the morning compared to mid day, the perception of the color differs because of the change of intensity of the sunlight and other atmospheric changes. This phenomena is known as Metamarism.
Metamarism is the visual phenomenon of an object appearing to have changes in color due to variances in the source of light. This is an important design concept to remember! Each light source is unique, and chosen colors will look very different with even the slightest change in light.
When considering digital or print design, the way your website or printed brochure appears to the consumer is largely dependent on their monitor, office lighting, and where they are viewing the brochure (indoors, outdoors, etc.).
These paintings by Claude Monet are the same cathedral at different times of day. This is Metamarism at work.